Difference between revisions of "From Here, together"

From OpenTab
Jump to navigation Jump to search
 
(16 intermediate revisions by 2 users not shown)
Line 1: Line 1:
−
Structure – Thursday 2nd June
+
From Here,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
do we move forward,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
Into a future that is here, always here,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
Where is the boundary between now > future?
 +
<br>
 +
Are we walking on the boundary, paving the ground underfoot?
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
,
 +
<br>
 +
:To start, let our bodies continue to move through space and time,
 +
:space and time coming into being when things::::::::::::::::::::::::::::::::(of which bodies are included)
 +
:are in relation to things::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::(of which bodies are included)
 +
:,
 +
:,
 +
:,
 +
:[https://www.youtube.com/watch?v=wRSHzenjiNA Falling forward]
 +
::::::>
 +
::::::::>
 +
::::::::::>
 +
::::::::::::>
 +
::::::::::::::>
 +
::::::::::::::::>
 +
::::::::::::::::::>
 +
::::::::::::::::::::>
 +
::::::::::::::::::::::>
 +
:::::::::::::::::::::::let’s dance, for dance involves the body (not only traditionally), but as an agent or a
 +
:::::::::::::::::::::::medium condition – acquiring implicit knowledge and kinaesthetic awareness that creates 
 +
:::::::::::::::::::::::an extended body, which is capable to radiate and sense beyond its physical boundaries<sup>1</sup>,
 +
:::::::::::::::::::::::turning, falling, landing, beyond, further, and further into the far surrounding.
 +
::::::::::::::::::::::::::::::::::::::::::::[https://www.youtube.com/watch?v=A2zKARkpDW4 Let us fall backward]
 +
:::::::::::::::::::::::::::::::::::::::::::<
 +
:::::::::::::::::::::::::::::::::::::::::<                                                                                                           
 +
:::::::::::::::::::::::::::::::::::::::< 
 +
:::::::::::::::::::::::::::::::::::::< 
 +
<br>
 +
:::::::::::::::::::::::::::::::::::::::::<
 +
:::::::::::::::::::::::::::::::::::::::<                                                                                                           
 +
:::::::::::::::::::::::::::::::::::::< 
 +
:::::::::::::::::::::::::::::::::::<
 +
<br>
 +
:::::::::::::::::::::::::::::::::::::::<
 +
:::::::::::::::::::::::::::::::::::::<                                                                                                           
 +
:::::::::::::::::::::::::::::::::::< 
 +
:::::::::::::::::::::::::::::::::<
 +
<br>
 +
:::::::::::::::::::::::::::::::::::::<
 +
:::::::::::::::::::::::::::::::::::<                                                                                                           
 +
:::::::::::::::::::::::::::::::::< 
 +
:::::::::::::::::::::::::::::::<
 +
:::::::::::::::::::::::::::::<
 +
:::::::::::::::::::::::::::<
 +
:::::::::::::::::::::::::<
 +
:::::::::::::::::::::::<
 +
:::::::::::::::::::::<
 +
:::::Into reoccurring conversations, historic loops,
 +
:::::where ‘progress’ feels all at once attainable and artificial.
 +
:::::The feeling of the now.
 +
:::::Another [[:File:Earthrise_conversation.mp3|Earth Rising]]
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
:::::::::::ᐯ
 +
::::Future < < < < < < < <  SPACE  > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > >  Out Yonder, what spaces can bodies occupy?
 +
::::::::::::::::::::::::::::::What bodies define space? How do bodies make space for [https://www.youtube.com/watch?v=QVX7df79BNo solutions] for the now, if the now is already here? Look Yonder
 +
<br>
 +
::::::::::::::::::::::::::::::ᐤᐝ. ᖕ %ॱᐧॱॱᐧॱॱᐧॱ .ᔊᔋ. ᖕ.......*
 +
::::::::::::::::::::::::::::::.....ᐤᐝ  .‰..* °ॅॱᐧॱॱᐧॱॱᐧॱॱ
 +
:::::::::::::::::::::::::::::::.‰.. * .Slow ..ᐤᐤ ᐝ ᐝ. ᖕॱ.ॱ.*
 +
:::::::::::::::::::::::::::ᐤ. °ॅ.*.°ॅ**....ॱॱ॰.ॱॱᐧᐤ.ᔇᔊॱ.ॱᐧॱॱᐧॱॱᐧॱॱږ׃ֻֻּּּּּ.
 +
::::::::::::::::::::::::::::::ᐤᐝ. ᖕ ॱᐧॱॱᐧॱॱᐧॱॱ% .‰.  *...ॱॱ॰ॱ  °ॅ°ॅˈ׃.*.°ॅ**
 +
::::::::::::::::::::::::::ᐤᐝ. ᖕ ំ៰ .‰. °ॅॱॱॱ.ॱॱᐧᐤ.ᔇᔊ Constellations.ॱॱᐧᐤ.ᔇᔊ °ॅॱᐧॱॱᐧॱږ׃ֻֻּּּּּ.ॱॱ
 +
::::::::::::::::::::::::::.ॱॱᐧᐤ.ᔇᔊ ᐤᐝ. ᖕ % .‰. °ॅॱॱॱ.ॱॱᐧᐤ.ᔇᔊ ॱॱᐧॱॱᐧॱॱᐧ°ॅˈ׃.*.°ॅ**
 +
:::::::::::::::::::::::::ᐤᐝ. ᖕ  ֒֔ږ׃ֻֻּּּּּ.‰.  *...ॱOf .*.,ᐝᐧᖕ....ᐤ. °ॅ.*.°ॅ**....ॱॱ॰.ॱॱᐧᐤ.ᔇᔊॱ.
 +
::::::::::::::::::::::::::::ᐤ. °ॅˈ׃.*.°ॅ**....ॱॱ॰.ॱॱᐧᐤ.ᔇᔊॱ.ॱॱᐧॱॱᐧॱॱᐧॱॱᐧॱॱᐧॱॱᐧMatter ᐧᔊॱॱॱ.*
 +
::::::::::::::::::::::::::::::ᐤᐝ. ᖕ %ॱᐧॱॱᐧॱॱᐧॱ .ᔊᔋ. ᖕ.......*ᐝ. ᖕ .ᔊᔋ. ֒֔ږ׃ֻֻּּּּּ.°ॅॱᐧॱॱᐧॱॱᐧ *
 +
:::::::::::::::::::::::::::::.....ᐤᐝ  .‰..* °ॅॱᐧॱॱᐧॱॱᐧ *
 +
::::::::::::::::::::::::::::::::::ᐤ ᖕ .ᔊᔋ. ֒֔׃ֻֻ°ॅॱᐧॱॱᐧॱ
 +
::::::::::::::::::::::::::::::::::Bumping to each other, the internal meets the external, back and forth, intermingling and bringing things into being. Pressures of space and time affects us, till [https://www.youtube.com/watch?v=qlVomqN699k New bodies] form, or so they say, or so they imagine. What kind of experiences will they allow?
 +
::::::::::::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::::::::::::,
 +
::::::::::::::::::::,
 +
::::::::::::::::::::,
 +
::::::::::::::::::::,
 +
::::::::::::::::::::,
 +
::::::::::::::::::::,
 +
::::::::::,
 +
::::::::::,
 +
::::::::::,
 +
::::::::::,
 +
::::::::::,
 +
::::::::::,
 +
::::::::::,
 +
::::::::::Regardless, the body will always provide us with a perspective: the body is "here"
 +
::::::::::as a point from which we begin, and from which the world unfolds, as being
 +
::::::::::both more and less over there (the future)<sup>2</sup>
 +
:::::,
 +
:::::,
 +
:::::,
 +
:::::,
 +
:::::[https://www.youtube.com/watch?v=KDp1tiUsZw8 Keep falling]
 +
:::::::ᐱ
 +
:::::::::::::ᐸ
 +
::::::::::ᐯ
 +
:::::ᐳ
 +
:::::::::::::::::::::ᐱ
 +
:::::::ᐸ
 +
::::::::::ᐯ
 +
:::::ᐳ
 +
:::::All at once
 +
:::::,
 +
:::::,
 +
:::::,
 +
:::::,
 +
:::::,
 +
:::::,
 +
:::::,
 +
:::::,
 +
:::::Let's keep attending to the now of our bodies experiences, it
 +
:::::will surely take us somewhere.
 +
:::::,
 +
::::::::::::::::::Here we are again
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
::::::::::::::::::::[https://www.youtube.com/watch?v=1lWJXDG2i0A Falling]
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::::::::,
 +
:::::::::::::::Into reoccurring conversations, loops, returns,
 +
:::::::::::::::here, there, here, there, here, there, here, there,
 +
:::::::::::::::again and again and again and again and again and again,
 +
:::::::::::::::is the feeling of the now, is the feeling of what’s coming.
 +
:::::::ᐱ
 +
:::::::::::::ᐸ
 +
::::::::::ᐯ
 +
:::::ᐳ
 +
:::::::::::::::::::::ᐱ
 +
:::::::ᐸ
 +
::::::::::ᐯ
 +
:::::::::::::::ᐱ
 +
:::::::::::::ᐸ
 +
:::::::::::::::::ᐯ
 +
:::::::::::::::::::::::::::::ᐳ
 +
:::::::::::::::::::::ᐱ
 +
:::::::ᐸ
 +
::::::::::::::::::::::::::::::ᐯ
 +
:::::::::::::::::::::::::::::::I want to carry the body forward, into the future, through paying attention to it
 +
:::::::::::::::::::::::::::::::I want to carry the body forward, into the future, through looking backwards
 +
:::::::::::::::::::::::::::::::I want to carry the body forward, into the future, through moving
 +
:::::::::::::::::::::::::::::::I want to carry the body forward, into the future, through perceiving
 +
:::::::::::::::::::::::::::::::I want to carry the body forward, into the future, through relationships with corpora
 +
:::::::::::::::::::::::::::::::I want to carry the body forward, into the future, through memory
 +
:::::::::::::::::::::::::::::::I want to carry the body forward, into the future, through dancing
 +
:::::::::::::::::::::::::::::::I want to carry the body forward, into the future, through being [https://vimeo.com/739225657 together]
 +
<br>
 +
<br>
 +
<br>
 +
<br>
 +
<sup>1.</sup> K. Maar, (2015), [http://reciprocalturn.com/ausgabe/two/artificial-speculations-nature-things-%E2%80%93-choreographic-work-mette-ingvartsen-and-yvonne/index.html ARTIFICIAL SPECULATIONS ON THE NATURE OF THINGS – THE CHOREOGRAPHIC WORK OF METTE INGVARTSEN AND YVONNE RAINER.]
 +
<br>
 +
<sup>2.</sup> S. Ahmed, (2006), [https://doi.org/10.1515/9780822388074 Queer phenomenology : orientations, objects, others]
  
−
Mirror with beam
 
  
−
Audible Gasp in the dark – or a pop 
 
  
−
Solo space roll – Zendra (gold suit or black dress)
 
  
−
Single pan start with empty space discarded artefacts, end with Ella on trampoline (light by Frankie or Michelle) Mermaid, bird, mirror??
+
<br><br>
 +
----
 +
<Br>
  
−
Space parade (what is it if bobbi, crystal and Michelle hold the mirror for each other???)
 
−
Zendra slow roll #2
 
−
Mirror to walk forward
 
−
Bobbi # 1 (just walking) Maybe in Blue rather than black?
 
−
Bobby #1 (Bruce with bag)
 
−
Crystal #1 (ferns moving…. if talking maybe gasps, beginnings ??))
 
−
Michelle # 1 (collects tail and moves it back)
 
−
Duet quiet listening walk # 1
 
−
 
−
Bobbi #2 (walking with hands)
 
−
Bruce #2 (with mirror)
 
−
Zendra # 2 (faster roll)
 
−
Duet quiet listen walk faster # 2
 
−
Crystal #2 (with ferns gathered & talking saying parts of apollo 8 text)
 
−
Michelle #2 (Ball)
 
  
−
Zendra # 3 (fastest roll)
+
===footer===
−
Duet quiet listen walk fastest grasping # 3
+
Written by Emma Fishwick in Perth, Australia on Whadjuk Nyoongar.
−
Bobbi #3  fast walk??
 
−
Crystal #3 fast pass – speaking as you go?? Or just passing through
 
−
Michelle #3 turning run
 
−
Duet quiet listen walk fastest grasping # 4
 
−
 
−
FILM
 
−
Bobby/Bruce comes out with the film and plays it – either stays
 
−
Michelle listens to the audio recording of the earthrise brings stool.
 
−
Crystal circles
 
−
Zendra crawls
 
−
Bobby leaves when Crystal Starts
 
−
Michelle leaves after audio is done.  
 
  
−
Ella and Frankie run through/leap from DSP
+
===back to main page===
−
 
+
[[How will we take our bodies with us into the future]]
−
WAGNER/earth rising
 
−
Roll out to positions
 
−
Maybe swap Ella and Bobbi if confident on platforms??
 
−
Music stops everyone leaves different directions (Upstage and downstage OP)
 
−
Except Ella and Frankie who wait DS in each corner.
 
−
 
 
−
Single Fishdrop – loud dance music to drown the fish?
 
−
 
 
−
Silence break
 
−
Re-enter to do a version of rhythmic dance moving backwards. Centre maybe its softer
 
−
OR LOOP DANCE
 
−
 
 
−
Nature sounds + Repetition Choir
 
−
Michelle records room
 
−
People come out and do the rep choir maybe not so long, ending is to get up and go to family port #1
 
−
Ella and Frankie run or other rhythm through space
 
−
 
 
−
 
 
−
Bucket of fish drop by Bobby/Bruce
 
−
Michelle stops recording puts down the recorder and presses play
 
−
Bobby waits and then undresses
 
−
 
 
−
rhythmic dance moving backwards
 
−
 
 
−
family portrait #1 spread out version with C.S.Lewis
 
−
 
 
−
Loop x 1
 
−
 
 
−
Loop x 2
 
−
family Portrait #2 (closer together) with crystal taking
 
−
 
−
Loop x 3
 
−
Family Portrait #3 (very close) small ladder no water but fish in bucket
 
−
Final Image is setting up for the sublime.
 
−
Loop Dance
 
−
Clean up and prep for sublime
 
−
Pull back curtains etc.
 
−
 
 
−
Bobbi Sublime to end
 
−
 
−
 
 
−
 
 
−
 
 
−
 
 
−
 
 
−
 
 
−
 
 
−
 
 
−
 
 
−
 
 
−
 
 
−
 
 
−
Mirror with beam
 
−
Film
 
−
Cassettes talking
 
−
Space talk
 
−
Poem talk
 
−
Breaths
 
−
Fish drop
 
−
Fish drop from bucket
 
−
Fish in bucket wiggling
 
−
Recoding nature
 
−
 
 
−
 
 
−
 
 
−
Script: Transcripts of Earthrise Apollo 8 24Dec1968
 
−
 
 
−
[shutter click]
 
−
Anders: You got a color film, Jim? Hand me a roll of color, quick, would you?
 
−
Lovell: Oh, that's great.
 
−
Anders: Hurry.
 
−
Lovell: Where is it?
 
−
Anders: Quick
 
−
Lovell: Down here?
 
−
Anders: Just grab me a color. A color exterior. Hurry up. Got one?
 
−
Lovell: Yeah, I'm looking' for one.
 
−
Anders: Anything. Quick.
 
−
Lovell: Here.
 
−
Anders: Well, I think we missed it.
 
−
Lovell: Hey, I got it right here.
 
−
Anders: Let me get it out this one, it's a lot clearer.
 
−
Lovell: I got it, it's very clear right here!
 
−
[shutter click]
 
−
Lovell: Got it?
 
−
Anders: Yep.
 
−
Lovell: Take several, take several of 'em! Here, give it to me!
 
−
Anders: Wait a minute, just let me get the right setting here now, just calm down.
 
−
Lovell: Take -
 
−
Anders: Calm down, Lovell!
 
−
Lovell: Well, I got it right - aw, that's a beautiful shot…Two-fifty at f/11.
 
−
[shutter click]
 
−
Anders: Okay.
 
−
Lovell: Now vary-vary the exposure a little bit.
 
−
Anders: I did, I took two of 'em here.
 
−
Lovell: You sure you got it now?
 
−
Anders: Yeah, we'll get - well, it'll come up again, I think.
 
−
 
 
−
 
 
−
 
 
−
From Here, do we move forward
 
−
Into a future that is here, always here
 
−
See the body paving the ground under foot, as we dance
 
−
Let our bodies continue to move through space and time, space and time coming into being with things (of which bodies are included) being in relation to things (of which bodies are included)
 
−
Falling forward
 
−
  >
 
−
      >
 
−
          >
 
−
>
 
−
let’s dance, for dance involves the body (not only traditionally), but as an agent or a medium condition – acquiring implicit knowledge and kinaesthetic awareness that creates an extended body, which is capable to radiate and sense beyond its physical boundaries , turning, falling, landing beyond, further, and further into the far surrounding.
 
−
      Let us fall backward
 
−
          <
 
−
      <
 
−
  <
 
−
<
 
−
          <
 
−
Into reoccurring conversations, historic loops, where ‘progress’ feels all at once attainable and artificial. The feeling of the now.
 
−
Another [https://upload.wikimedia.org/wikipedia/commons/2/28/Earthrise_conversation.ogg Earth Rising]
 
−
 
 
−
Future < < < < < < < SPACE > > > > > > > Out Yonder, what spaces can bodies occupy? What bodies define space? How do bodies make space for [https://www.youtube.com/watch?v=QVX7df79BNo solutions] for the now, if the now is already here? Look Yonder
 
−
 
 
−
Slow constellations of matter, bumping to each other, the internal meets the external, back and forth, intermingling and bringing things into being. Pressures of space and time affects us, till [https://www.youtube.com/watch?v=qlVomqN699k New bodies] form, or so they say, or so they imagine. What kind of experiences will they allow?
 
−
Keep falling
 
−
      ( <        >    (all at once))
 
−
Keep attending to the now of our bodies experience, it
 
−
will take us somewhere. Moving, is perceiving, is
 
−
relationships with corpora (of which the body is
 
−
included) Here we are again
 
−
  <
 
−
          <
 
−
        <
 
−
              <
 
−
        <
 
−
    <
 
−
                          <
 
−
                      <
 
−
                            <
 
−
                        <
 
−
 
 
−
Into reoccurring conversations, loops, returns
 
−
Here, there, here, there, here, there, here, there
 
−
Again. The feeling of the now. The feeling of what’s coming
 

Latest revision as of 12:22, 2 November 2022

From Here,
,
,
,
,
,
,
,
,
,
do we move forward,
,
,
,
,
,
,
,
,
,
Into a future that is here, always here,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Where is the boundary between now > future?
Are we walking on the boundary, paving the ground underfoot?
,
,
,
,
,
,
,
,
,
,
,
,
,
,

To start, let our bodies continue to move through space and time,
space and time coming into being when things::::::::::::::::::::::::::::::::(of which bodies are included)
are in relation to things::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::(of which bodies are included)
,
,
,
Falling forward
>
>
>
>
>
>
>
>
>
let’s dance, for dance involves the body (not only traditionally), but as an agent or a
medium condition – acquiring implicit knowledge and kinaesthetic awareness that creates
an extended body, which is capable to radiate and sense beyond its physical boundaries1,
turning, falling, landing, beyond, further, and further into the far surrounding.
Let us fall backward
<
<
<
<


<
<
<
<


<
<
<
<


<
<
<
<
<
<
<
<
<
Into reoccurring conversations, historic loops,
where ‘progress’ feels all at once attainable and artificial.
The feeling of the now.
Another Earth Rising
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
ᐯ
Future < < < < < < < < SPACE > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Out Yonder, what spaces can bodies occupy?
What bodies define space? How do bodies make space for solutions for the now, if the now is already here? Look Yonder


ᐤᐝ. ᖕ %ॱᐧॱॱᐧॱॱᐧॱ .ᔊᔋ. ᖕ.......*
.....ᐤᐝ .‰..* °ॅॱᐧॱॱᐧॱॱᐧॱॱ
.‰.. * .Slow ..ᐤᐤ ᐝ ᐝ. ᖕॱ.ॱ.*
ᐤ. °ॅ.*.°ॅ**....ॱॱ॰.ॱॱᐧᐤ.ᔇᔊॱ.ॱᐧॱॱᐧॱॱᐧॱॱږ׃ֻֻּּּּּ.
ᐤᐝ. ᖕ ॱᐧॱॱᐧॱॱᐧॱॱ% .‰. *...ॱॱ॰ॱ °ॅ°ॅˈ׃.*.°ॅ**
ᐤᐝ. ᖕ ំ៰ .‰. °ॅॱॱॱ.ॱॱᐧᐤ.ᔇᔊ Constellations.ॱॱᐧᐤ.ᔇᔊ °ॅॱᐧॱॱᐧॱږ׃ֻֻּּּּּ.ॱॱ
.ॱॱᐧᐤ.ᔇᔊ ᐤᐝ. ᖕ % .‰. °ॅॱॱॱ.ॱॱᐧᐤ.ᔇᔊ ॱॱᐧॱॱᐧॱॱᐧ°ॅˈ׃.*.°ॅ**
ᐤᐝ. ᖕ ֒֔ږ׃ֻֻּּּּּ.‰. *...ॱOf .*.,ᐝᐧᖕ....ᐤ. °ॅ.*.°ॅ**....ॱॱ॰.ॱॱᐧᐤ.ᔇᔊॱ.
ᐤ. °ॅˈ׃.*.°ॅ**....ॱॱ॰.ॱॱᐧᐤ.ᔇᔊॱ.ॱॱᐧॱॱᐧॱॱᐧॱॱᐧॱॱᐧॱॱᐧMatter ᐧᔊॱॱॱ.*
ᐤᐝ. ᖕ %ॱᐧॱॱᐧॱॱᐧॱ .ᔊᔋ. ᖕ.......*ᐝ. ᖕ .ᔊᔋ. ֒֔ږ׃ֻֻּּּּּ.°ॅॱᐧॱॱᐧॱॱᐧ *
.....ᐤᐝ .‰..* °ॅॱᐧॱॱᐧॱॱᐧ *
ᐤ ᖕ .ᔊᔋ. ֒֔׃ֻֻ°ॅॱᐧॱॱᐧॱ
Bumping to each other, the internal meets the external, back and forth, intermingling and bringing things into being. Pressures of space and time affects us, till New bodies form, or so they say, or so they imagine. What kind of experiences will they allow?
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Regardless, the body will always provide us with a perspective: the body is "here"
as a point from which we begin, and from which the world unfolds, as being
both more and less over there (the future)2
,
,
,
,
Keep falling
ᐱ
ᐸ
ᐯ
ᐳ
ᐱ
ᐸ
ᐯ
ᐳ
All at once
,
,
,
,
,
,
,
,
Let's keep attending to the now of our bodies experiences, it
will surely take us somewhere.
,
Here we are again
,
,
,
,
,
,
,
,
,
,
Falling
,
,
,
,
,
,
,
,
,
,
Into reoccurring conversations, loops, returns,
here, there, here, there, here, there, here, there,
again and again and again and again and again and again,
is the feeling of the now, is the feeling of what’s coming.
ᐱ
ᐸ
ᐯ
ᐳ
ᐱ
ᐸ
ᐯ
ᐱ
ᐸ
ᐯ
ᐳ
ᐱ
ᐸ
ᐯ
I want to carry the body forward, into the future, through paying attention to it
I want to carry the body forward, into the future, through looking backwards
I want to carry the body forward, into the future, through moving
I want to carry the body forward, into the future, through perceiving
I want to carry the body forward, into the future, through relationships with corpora
I want to carry the body forward, into the future, through memory
I want to carry the body forward, into the future, through dancing
I want to carry the body forward, into the future, through being together





1. K. Maar, (2015), ARTIFICIAL SPECULATIONS ON THE NATURE OF THINGS – THE CHOREOGRAPHIC WORK OF METTE INGVARTSEN AND YVONNE RAINER.
2. S. Ahmed, (2006), Queer phenomenology : orientations, objects, others







footer

Written by Emma Fishwick in Perth, Australia on Whadjuk Nyoongar.

back to main page

How will we take our bodies with us into the future

Retrieved from ‘http://opentab.wiki/index.php?title=From_Here,_together&oldid=3500’