Difference between revisions of "The Future Arrives At All Costs"

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...will it '''cost''' us our [[bodies]]?
 
...will it '''cost''' us our [[bodies]]?
−
[[File:people used to write.jpeg|thumb]]
+
[[File:people used to write.jpeg|thumb]]<Br><br>
 +
 
 +
 
 +
This text was arrived at via dancing to iterate future sci-fi realities and their affect on our socialised physicality. (We danced to music played from MD 💽) <br>
 +
The core dancing and thinking team included;
 +
*Romain Hassanin
 +
*Bgirl Raygun / Dr Rachael Gunn
 +
*M@
 +
<Br><Br>
 +
With cameo dancing and thinking from;
 +
*Sophia van Gent
 +
*Bboy Sam (Samual Free)
 +
<br><br>
 +
and outside eye feedback from;
 +
*Angela Goh
 +
 
 
<Br><Br>
 
<Br><Br>
 
Maybe, due to much of ones daily choreography being micromanaged by algorithmic direction, Our bodies are only ours when we're [[dancing]], but what dancing?  
 
Maybe, due to much of ones daily choreography being micromanaged by algorithmic direction, Our bodies are only ours when we're [[dancing]], but what dancing?  
Line 6: Line 21:
 
Some dancing makes our bodies decidedly NOT ours.  
 
Some dancing makes our bodies decidedly NOT ours.  
 
<Br>
 
<Br>
−
So we need to structure a dance. To use the technology of [[choreography]] to craft a form, a verb, a dance, that will give our bodies back to us. Not as a tether, as a home. The place of experience. The space we take up to facilitate being.  
+
So we will structure one fit for purpose. We will use the technology of [[choreography]] to craft a form, a verb, a dance, that will give our bodies back to us. Not as a tether, but as a home. The place of experience. The space we take up to facilitate being.  
 
<br>
 
<br>
 
With.
 
With.
Line 18: Line 33:
 
===We have sent our bodies to ourselves in the future.===
 
===We have sent our bodies to ourselves in the future.===
 
[[File:image000000.jpg|thumb|The Before Times]]
 
[[File:image000000.jpg|thumb|The Before Times]]
−
We sent our bodies to ourselves in the future. They have just arrived. We have been without them for so long that we can't just jump back in. There is a procedure of rahabituation. It happens in a group so that we can also remember how to interface.
+
<br>
−
 
+
We sent our bodies to ourselves in the future. <br>
−
"
+
And they have just arrived. <br>
−
<small>We sent our bodies into the future (from ourselves in the past). It was the only way.
+
We’ve been living without them for a fair while. <br>
−
Now after all this time they are beginning to arrive and we are taking up residence in them once more.
+
We have devised a rehabitation protocol to mitigate the risk of disassociation.<br>
−
The procedure is interesting. It feels like a kind of calibration.  
+
<br>
−
This is my body, but I have lived so long outside of it.
+
Curiously, this process can sometimes look reminiscent of dancing.
−
It feels familiar but not immediately habitual, habitable, like my habitat…
+
<br><br><br>
  
−
So how to get myself together. Into this body. And then how to be be together with other people in their bodies.
+
=====further explanation=====
−
 
+
*My body once again becomes the substrate of being. <br>
−
It looks (from the outside) remarkably like dancing. Movement, driven by impulse or curiosity. A pursuit of novelty or articulation / reawakening of skills being remembered. And it is done all together, that we know ourselves mediated thought peers and fellows rather than through reflections or captures.
+
*It is once again the site of experience.<Br>
−
 
+
*Not every ''body'' makes it
−
My body once again becomes the substrate of being. It is once again the site of experience.</small>
 
−
"
 
−
 
 
−
===the score===
 
−
Rehabituation procedure - which body am I in?
 
−
* Watch each other
 
−
* Feel the face
 
−
* Try to execute form - manually, with hands
 
−
 
 
−
* Once we know which bodies we’re in - bear witness to the rehabituation arc.
 
−
(Romain can go on his journey. Then Raygun, then matt.)
 
  
 +
===for the dancers===
 +
part 1: The arrival <br>
 +
part 2: Calibration
  
 
==future 2==
 
==future 2==
  
−
===The Chamber for Thinking===
+
===Interface Collapse===
 
[[File:4-up (compiled).jpg|thumb|Being in the ''Chamber For Thinking'']]
 
[[File:4-up (compiled).jpg|thumb|Being in the ''Chamber For Thinking'']]
 +
<br>
 +
All interfaces have collapsed down to the eyes. <br>
 +
All experience and all agency are reduced to visual-thru-put. <br>
 +
In daily life this is sufficient. However, when particularly sophisticated problems arise we online the rest of our bio-tech - the other (more than 12) sensors of a human body - via the chamber for thinking. A dedicated context to invoke the full genius of embodied understanding. Where the execution of physical skill is instrumentalised as a protocol to unlock epiphany.
  
−
In the future, vision is the only sense still in daily use, we interface exclusively through our eyes.
 
−
 
−
In the pursuit of higher level thinking, we deploy the rest of our bio-tech ie, the other (up to 12) sensors of a human body.
 
−
 
−
The ''chamber for thinking'' is a space conjured for distributed thinking across your multiple human bodies.
 
−
The ''chamber for thinking'' is a space conjured for insight,
 
−
 
−
This sometimes looks like dancing.
 
  
−
Leveraging the genius made possible by chemical, neurological sensory actualisation.
+
<br><BR><br>
  
−
(you get your body together and go into the chamber to reactivate and utilise your own bio-tech to think more vividly)
 
  
  
 +
=====Further explanation=====
 +
*In the future, vision is the only sense still in daily use, we interface exclusively through our eyes.
 +
*In the pursuit of higher level thinking, we deploy the rest of our bio-tech ie, the other (up to [https://www.sensorytrust.org.uk/blog/how-many-senses-do-we-have 12]) sensors of a human body.
  
 +
*The ''chamber for thinking'' is a space conjured for distributed thinking across your multiple human bodies.
 +
*The ''chamber for thinking'' is a space conjured for insight,
  
 +
*This sometimes looks like dancing.
  
 +
*Leveraging the genius made possible by chemical, neurological sensory actualisation.
  
−
''
+
*(you get your body together and go into the chamber to reactivate and utilise your own bio-tech to think more vividly)
  
−
This has resulted in a technology lost - the Physical intelligence through sensuality as base substrate for worlding).
+
*(A vision-only world has resulted in a technology lost - the Physical intelligence through sensuality as base substrate for worlding).
  
−
The chamber for thinking is a dedicated context for the expression of physical skill, towards the epiphany made possible by chemical, neurological sensory actuate.   
+
*The chamber for thinking is a dedicated context for the expression of physical skill, towards the epiphany made possible by chemical, neurological sensory actuate.)  
  
 
"
 
"
  
−
 
+
=====for the dancers=====
−
How to actualise the body, the physical intelligence of emotion through chemical response to neurological integration and use.
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Execute physical skill as protocol to invoke that vast capability of your complex biotech.  
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Beyond optimisation instrumentalised movement.
 
−
Ultimate skill that is not for any other reason than the pursuit of pleasure at executing that skill.
 
 
"
 
"
  
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===references===
 
===references===
 
"we perceive with our whole bodies. And, depending on whether we stand, sit or lie down, we will come to inhabit wholly different worlds." - PG 100 Edward Slopek - Bodies of Art
 
"we perceive with our whole bodies. And, depending on whether we stand, sit or lie down, we will come to inhabit wholly different worlds." - PG 100 Edward Slopek - Bodies of Art
−
 
−
===the score===
 
−
Reactivate your senses. Enjoy them by savouring the execution of physical skill.
 
−
 
−
Romain - Ride the wave of the Orchestra
 
−
Raygun - Chill. POW!
 
  
 
==future 3==
 
==future 3==
 
[[File:captcha robot harm.JPG|thumb|What can humans do that nothing else can?]]
 
[[File:captcha robot harm.JPG|thumb|What can humans do that nothing else can?]]
−
===I groove therefore I am (in a human body (for now))===
+
===Living in the swarm.===
 +
[[File:419952B2-6081-45FB-9191-5CCD847C219D.JPG|thumb]]
 +
 
  
−
We located the groove.  
+
In the swarm, consciousness moves indiscriminately across the network of bodies (human, synthetic, and otherwise).<br>
 +
For a while there was no way to tell which body you were in. <br>
 +
Then we remembered the groove—a phenomena exclusive to human biology.<br>
 +
People began using the ability to get into the groove as a kind of Turing test.<br>
 
<br>
 
<br>
−
It was in the human body. (this whole time)
+
A body-CAPTCHA.
 
<br>
 
<br>
−
because we now live in a consciousness-swarm and slip frictionlessly between bodies (human, synthetic and otherwise) people began leveraging the ability to achieve the ''groove state'' as a kind of Turing test for being in a human body. Often the human body is not the right for the job at hand.
 
 
<br>
 
<br>
−
A ''groove state'' check is performed (by oneself or infront of friends) to test if you are in a human body.
 
 
<br>
 
<br>
−
A CaptchA of the future.
 
  
−
<br>
 
−
:*groove
 
−
::*dance
 
−
:::*flow
 
  
−
===the score===
+
=====for the dancers=====
−
 
+
1. Do the groove game. <br>
−
# outside eyes in group.
+
2. Do a second round with others.<Br>
−
# one stands up and announcing wheaterhte they're doing an internal or external check.
+
<Br>
−
# that person dances until groove state confirms they are in a human body or not.
+
Groove test protocol = dancing until you find the groove, stabilise the groove. (Do this to various musical styles). When a person decides to return to their seat, all stand and swap seats.
−
 
 
−
 
 
−
<br>
 
−
here we are, dancing our bodies into the future.
 
−
<br>
 
−
 
 
−
 
 
−
----
 
  
 
===footer===
 
===footer===
 
Written in 台北， 台灣。
 
Written in 台北， 台灣。
−
Continued in Cadigal/Sydney.
+
Continued on Gadigal and Darug lands/Sydney.
  
−
===back to main page===
+
===back to [[How will we take our bodies with us into the future?|main page]]===
−
[[How will we take our bodies with us into the future?]]
+
[[How will we take our bodies with us into the future]] ?

Latest revision as of 16:08, 9 January 2023

...will it cost us our bodies?

People used to write.jpeg




This text was arrived at via dancing to iterate future sci-fi realities and their affect on our socialised physicality. (We danced to music played from MD 💽)
The core dancing and thinking team included;

  • Romain Hassanin
  • Bgirl Raygun / Dr Rachael Gunn
  • M@



With cameo dancing and thinking from;

  • Sophia van Gent
  • Bboy Sam (Samual Free)



and outside eye feedback from;

  • Angela Goh



Maybe, due to much of ones daily choreography being micromanaged by algorithmic direction, Our bodies are only ours when we're dancing, but what dancing?
Some dancing makes our bodies decidedly NOT ours.
So we will structure one fit for purpose. We will use the technology of choreography to craft a form, a verb, a dance, that will give our bodies back to us. Not as a tether, but as a home. The place of experience. The space we take up to facilitate being.
With.

This is some dancing we have been doing to continue thinking through this situation;


future 1

We have sent our bodies to ourselves in the future.

The Before Times


We sent our bodies to ourselves in the future.
And they have just arrived.
We’ve been living without them for a fair while.
We have devised a rehabitation protocol to mitigate the risk of disassociation.

Curiously, this process can sometimes look reminiscent of dancing.


further explanation
  • My body once again becomes the substrate of being.
  • It is once again the site of experience.
  • Not every body makes it

for the dancers

part 1: The arrival
part 2: Calibration

future 2

Interface Collapse

Being in the Chamber For Thinking


All interfaces have collapsed down to the eyes.
All experience and all agency are reduced to visual-thru-put.
In daily life this is sufficient. However, when particularly sophisticated problems arise we online the rest of our bio-tech - the other (more than 12) sensors of a human body - via the chamber for thinking. A dedicated context to invoke the full genius of embodied understanding. Where the execution of physical skill is instrumentalised as a protocol to unlock epiphany.






Further explanation
  • In the future, vision is the only sense still in daily use, we interface exclusively through our eyes.
  • In the pursuit of higher level thinking, we deploy the rest of our bio-tech ie, the other (up to 12) sensors of a human body.
  • The chamber for thinking is a space conjured for distributed thinking across your multiple human bodies.
  • The chamber for thinking is a space conjured for insight,
  • This sometimes looks like dancing.
  • Leveraging the genius made possible by chemical, neurological sensory actualisation.
  • (you get your body together and go into the chamber to reactivate and utilise your own bio-tech to think more vividly)
  • (A vision-only world has resulted in a technology lost - the Physical intelligence through sensuality as base substrate for worlding).
  • The chamber for thinking is a dedicated context for the expression of physical skill, towards the epiphany made possible by chemical, neurological sensory actuate.)

"

for the dancers

Execute physical skill as protocol to invoke that vast capability of your complex biotech. "


all our senses - mind body complex.

references

"we perceive with our whole bodies. And, depending on whether we stand, sit or lie down, we will come to inhabit wholly different worlds." - PG 100 Edward Slopek - Bodies of Art

future 3

What can humans do that nothing else can?

Living in the swarm.

419952B2-6081-45FB-9191-5CCD847C219D.JPG


In the swarm, consciousness moves indiscriminately across the network of bodies (human, synthetic, and otherwise).
For a while there was no way to tell which body you were in.
Then we remembered the groove—a phenomena exclusive to human biology.
People began using the ability to get into the groove as a kind of Turing test.

A body-CAPTCHA.



for the dancers

1. Do the groove game.
2. Do a second round with others.

Groove test protocol = dancing until you find the groove, stabilise the groove. (Do this to various musical styles). When a person decides to return to their seat, all stand and swap seats.

footer

Written in 台北， 台灣。 Continued on Gadigal and Darug lands/Sydney.

back to main page

How will we take our bodies with us into the future ?

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